Àâòîðèçàöèÿ
Ïîèñê ïî óêàçàòåëÿì
Trappl R., Petta P. — Creating Personalities for Synthetic Actors
Îáñóäèòå êíèãó íà íàó÷íîì ôîðóìå Íàøëè îïå÷àòêó?
Íàçâàíèå: Creating Personalities for Synthetic ActorsÀâòîðû: Trappl R., Petta P. Àííîòàöèÿ: Progress in computer animation has gained such a speed that, before long, computer-generated human faces and figures on screen will be indistinguishable from those of real humans. The potential both for scripted films and real-time interaction with users is enormous. However, in order to cope with this potential, these faces and figures must be guided by autonomous personality agents. This carefully arranged volume presents the state of the art in research and development in making synthetic actors more autonomous. The papers describe the different approaches and solutions developed by computer animation specialists, computer scientists, experts in AI, psychologists and philosophers, from leading laboratories world-wide. Finally, a bibliography comprising more than 200 entries enable further study.
ßçûê: Ðóáðèêà: Computer science /Ñòàòóñ ïðåäìåòíîãî óêàçàòåëÿ: Ãîòîâ óêàçàòåëü ñ íîìåðàìè ñòðàíèö ed2k: ed2k stats Èçäàíèå: 1Ãîä èçäàíèÿ: 1997Êîëè÷åñòâî ñòðàíèö: 251Äîáàâëåíà â êàòàëîã: 02.12.2010Îïåðàöèè: Ïîëîæèòü íà ïîëêó |
Ñêîïèðîâàòü ññûëêó äëÿ ôîðóìà | Ñêîïèðîâàòü ID
Ïðåäìåòíûé óêàçàòåëü
Abstraction, levels of direction 60 76 82 96 108 Abstraction, of perception 15 47 60 Acting 70 75 92—112 97 104 114 163 210 Acting, method 96 action see also “Human activity” Action, multiple 30 47 49 53 59 60 75 78 79 115 115—117 137 Action, perception-based 30—39 Action, readiness 137 Action, selection 5 28 30—31 47 48 53 60 62 74 79 80 115 125 159 183 184 185 213 Action, tendencies 137 151—152 Affect 137 151 160 see Agent architecture 3 4 30 46—48 76 108 115 138—147 141 144 145—146 171—174 177 182 188 202 Agent architecture, broad 177 183—187 Agent architecture, layered 46 62 77 185 Agent architecture, subsumption 47 Agre P.-E. 115 Amerika M. 90 Animal 26 27 28 128 178 Animation 9—24 58—73 Animation, behavioural 26 27 40 Animation, performance 44 Animation, procedural 58—61 Animation, state-of-the-art 9—11 26 Aono M. 9 Appraisal 137 146 151 Arbitration see “Action selection” Artificial life see “Animal” Attention 35 115 143—144 146 155 190 Attention, filtering 179 197 200—201 Authoring 89 Autoboredom 146 156 Autonomy 62—63 Avatar 3 Badler N. 3 Bandi S. 40 Bandura A. 125 162 Bates J. 2 6 177 Beaudoin L. 184 Becheiraz P. 40 Beckett S. 105 Behaviour see also “Animation” “Control” “Model” “Personality” “Scripting” “Simulation” Behaviour, activations 4 5 59 60 62 78 80 136 137 179 184 Behaviour, adaptive 47 54 Behaviour, believable 61 70 81 115 Behaviour, complex 16 30 52 60 73 75 171 Behaviour, distributed 26 77 Behaviour, goal-oriented 50 118 Behaviour, high-level 52 60 76 Behaviour, nonlinear 18 Behaviour, potential 125 Behaviour, reactive 47 115 140 145 Behaviour, structure 77 Behavioural, animation see “Animation” Behavioural, constraints see “Constraints” Behavioural, control see “Control” Behavioural, loop 47 52 Behavioural, markers 102 Behavioural, model see “Model” Behavioural, net 47 Behavioural, scripting see “Scripting” Behavioural, simulation see “Simulation” Behaviourism 122 Belief 214 Belief, generation 149 Belief, representation 148 Believable, character 43 58 65 113 117 118 Bernstein L. 93 Bias 44 133 157 160 Bickhard M.H. 214 BlackBoard 145 150 Blair D. 5 84 89 210 Blake W. Ill Blumberg B. 4 74 76 Bolter J. 84 Boulic R. 40 Braitenberg V. 48 Brando M. 96 Brooks R.A. 47 Brownston L. 92 Burnet 106 Burroughs W. 84 Cadavel L. 73 Castiglia C. 73 Causality 137 148—149 151 161 190 Causality, inverse 69—70 Cavendish H. 98 Cervantes M.de 83 Chaplin C. 103 104 Chapman D. 115 Chekhov A. 95 Cheung T. 73 Cisneros E. 93 Clarke A.C. 120 CloreG.L. 6 211 Cognition and affect project 179—183 Cognitive see also “Style” Cognitive, elements of emotion 139 see Cognitive, friendliness of environments 199—200 Cognitive, map 33 Cognitive, modules 150 Cognitive, processing 154—155 Cognitive, reflexes 187 Cognitive, theory 130 166—167 214 Cohen J. 168 213 Collins A. 6 211 Collision detection 10 11 13 14 16—18 27 30'; Combinatorial search space 98 184 Comic acting 70 98 104 Communication 14 48 50 54 118 168 215 Communication, universal 142 Competence 76 113 128 162 209 211 complexity see also “Behaviour” Complexity, narrative 86 Complexity, object modeling 10 14 Complexity, perception modeling 188 Complexity, status transactions 105 106 Complin C. 194 Composition, of behaviour 59 77 115 Composition, of personality 122 131 Computer-generated film 1 9 26 90 Concern 137 138 139 149—150 Concurrence 19 115 179 198 see Conner B. 91 Consistency 118—119 130 135 Constraints see also “Control” Constraints, behavioural 76 Constraints, dynamic 11 29 Constraints, environmental 29 131 Constraints, modeling 11 16 45 54 171 212 214 Constraints, planning 31 Control, behavioural 48 51—5'4 Control, constraints 93 95 96—98 101—108 Control, examples 49—51 190 Control, external 80—81 Control, high-level 2 4 5 26 30 48 75 80—81 191 Control, layered 77 185 see Control, loss of 192 194 Control, low-level 5 21 30 47—48 75 Control, motion 30 31 Control, motivational 75 80 Control, multi-level 34 35 52 74—82 see Control, narrative 100 Control, planning 35 Control, precedence 137 151 Control, principle 144 146 Control, states 189—191 Control, system 166—208 Control, universal 142—143 Coordination 50 61 108 Coordination, motion 28 76 Correspondence 172—173 Cortazar J. 84 Cranko J. 93 Crowley J.L. 27 Curtis P. 86 Dam A.van 91 Damasio A.R. 213 214 Dance 70 73 102 Darwin C. 175 Davis D. 181 194 Decision making 34 36 44 46 54 60 65—69 154 see “Control” Dennett D.C. 176 Design 169—178 see “Principle” Design, exploration 177—178 Design, space 171—178 directing 71—72 see “Improvisation” “Status” Directing, status transactions 104—108 Disney W. 111 113 Downing T. 73 Doyle P. 92 Drama 5 62 93 101—104 111 see Drama, interactive 72 Drama, theory 210 Egri L. 95 Elfes A. 33 Emotion 7 115 118 125 135 140 158 191—194 200 211 see “Regulation” “Timing” Emotion, generative 212—214 Emotion, theory 136—137 Emotion, theory, Acres 138 Emotor 140 151—152 Ethology 4 78 213 Euler — Cromer method 19 Exaggeration 104 113 examples 37—39 49—51 81 147—152 180—183 188 192—193 Executor 139 Expectancy 126 Eysenck H.J. 124 125 158 159 Feldman T. 92 110 Firby J.R. 115 Flexer A. 115 Freud S. 121 122 129 Friedlander L. 92 FrijdaN. 7 120 135 136 138 139 143 151 193 Gait 45 79 81 Galyean T. 4 74 76 81 game playing 15 88—89 39 49—51 72 106 114 147 George the Sixth 98 GeorgeffM.P. 115 gesture 59 81 Gesture, understanding 116 Gibson J.J. 188 Goal, creation 33 34 35 51 185 197 Godota H. 9 Grant C. 92 Grasping perception-based 35—37 Gray J.A. 124 159 Guidance 29 88—89 see Hader S. 91 Hamlet 101 Hardenburgh J. 91 Harrer H. 98 Haumann D.R. 9 26 Hay dee M. 93 Hayes-Roth B. 210 212 Hepburn K. 92 Hierarchy of behaviour 60 77 115 Hinds B.K. 9 Hippocrates 124 Hoffmann D. Ill Holmes S. 1 Horton A. 94 110 Human activity 2 38 44 46 49 54 60 63 155 168 210 Human activity, patterns 49 Hussey 0. 93 Improvisation 72 94 210 Improvisation, directed 93 95—110 Intelligence 129—130 179 Interactive, cinematography 71 Interactive, drama see “Drama” INTERFACE 19—88 51 62 69 110 James H. 110 James W. 110 JaysHouseMOO 86 Johnson E. 91 Johnstone K. 92—112 Joyce M. 84 Karaul M. 73 Keats J. Ill Kerne A. 73 Klaphaak D. 91 Kozintsev I. 102 Kubrick S. 120 Kuhn T. 213 Kuipers B. 33 Kunii T.L. 9 35 Lansky A.L. 115 Lasseter J. 1 Lasudry N. 9 Lear, King 102 Learning 214 Learning, simulated 69 Learning, social 125 Learning, systems 173 Lethebridge T.C. 26 Levinson B. 1 Liao S. 73 Lin K. 73 Locomotion 30—31 46 51—54 see “Reasoning” Loyall A.B. 6 182 Maes P. 5 74 80 Magnenat-Thalmann N. 3 35 Makaravo N. 93 Mangen A. 9 Marr D. 171 189 Mas S.R. 36 Maslow A.M. 122—123 140 McCartney J. 9 Memory, episodic 141 Memory, system 118 140 145 146 149 154 196 Memory, visual 32 33—34 Meyer J. 73 Meyer T. 5 90 Minsky M. 5 Mischel W. 125 127—128 162 Model see also “Architecture design” Model, behavioural 26 76 96 Model, biomechanical 32 Model, design 138—144 Model, physics-based 12—14 45 Moffat D. 2 6 7 182 197 213 Moliere J.B. 94 Monitors 48 see Mood 135 179 190 Motion, movement 46 58 76 97 104 see “Coordination” “Locomotion” Motion, movement, of cloth 10 18 Motion, movement, walking 29 31 45 48 Motivation 46 77 130 186 see motivator” Motivational, transparency 138 Motivational, visibility 139 Motivator 186 see Motor skills 26 60 75 76 Movement see “Motion” Mullen L. 91 Nagel T. 213 narrative see also “Complexity” “Control” “Guidance” “Story” Narrative, associative 83—84 Narrative, autogenic 84 Narrative, branching 72 Narrative, experimental 83 87—88 Narrative, gatekeeper scenario 88
Ðåêëàìà
|
|
Î ïðîåêòå