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Roberts S. — Character Animation in 3D (Focal Press Visual Effects and Animation Series)
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Íàçâàíèå: Character Animation in 3D (Focal Press Visual Effects and Animation Series)Àâòîð: Roberts S. Àííîòàöèÿ: Based on 10 years of animation teaching experience, this comprehensive guide to key techniques will ensure your skills best fit the computer animation workplace. A complete understanding of the vital animation drawing skills will be achieved by learning the pitfalls in a 2D exercise then applying these skills when using 3D animation packages.
ßçûê: Ðóáðèêà: Òåõíîëîãèÿ /Ñòàòóñ ïðåäìåòíîãî óêàçàòåëÿ: Ãîòîâ óêàçàòåëü ñ íîìåðàìè ñòðàíèö ed2k: ed2k stats Èçäàíèå: 1st editionÃîä èçäàíèÿ: 2004Êîëè÷åñòâî ñòðàíèö: 245Äîáàâëåíà â êàòàëîã: 11.12.2007Îïåðàöèè: Ïîëîæèòü íà ïîëêó |
Ñêîïèðîâàòü ññûëêó äëÿ ôîðóìà | Ñêîïèðîâàòü ID
Ïðåäìåòíûé óêàçàòåëü
3D Studio Max 206—207 220 Acting see Animation acting Acting out a scene 173—175 Action column 5—6 Alternating shots 214—15 Anal fins 143 Analysis of character 178 Anatomy 48—53 189 224 Anger 112 169 170 192—3 Angle of head 196 Animals: appendage follow-through 89—90 Animals: birds 151—158 Animals: cats 128—129 Animals: construction 122—125 Animals: dogs 126—128 133—138 Animals: elephants 130 Animals: fish 139—143 145—149 Animals: horses 122—123 129—130 131—132 Animals: running 130—133 135—137 Animals: snakes 143—145 149—150 Animals: walking 121—130 133—138 Animated radio 175—176 Animating straight ahead 13 Animation acting 159—183 Animation acting, acting out a scene 173—175 Animation acting, anticipation 81—87 200 201 Animation acting, consequence 161 Animation acting, emotions 162 Animation acting, facial expressions 184—208 Animation acting, full 176—177 Animation acting, limited 175—176 Animation acting, method acting 160—161 Animation acting, mime 177—178 Animation acting, pose-to-pose 176 Animation acting, theatrical acting 161 Animation acting, two or more characters 209—221 Animation curves 24 73 Animation Mixer (SoftImage XSI) 207—208 Animation paper 3 14 Anticipation 81—87 200 201 Arcs 53 ARMs 91—92 109—110 171—172 Attraction, staring 213 Back body postures 165 Background characters 216 Background level 36 balance 56 57—58 60—65 Ball bouncing exercise 19—24 Ball-and-socket joints 52 balloons 32—34 43—44 Balls: beach ball 42 Balls: bouncy ball 19—24 36—40 44—46 Balls: bowling ball 31—32 37—40 Balls: lift 60—65 Balls: ping-pong ball 43 Balls: soccer ball 32 40—42 Basic human character design 53—58 Beach ball 42 Birds 151—8 Blend Shapes (Maya) 206 Blinking 188 Blur 92 153—154 Body: body language 159—183 Body: facial movement 200—201 Body: human anatomy 48—53 Body: movement in walking 110—111 BodyControl 137 158 Bones 48—53 204 boredom 194 214 Bouncy ball 19—24 36—40 44—46 Bowling ball 31—2 37—40 Brain, left/right 59 Breakdown drawings 15 16 98 99 154 156—157 Burst swimmers (fish) 141 Butting in (conversation) 214 Camera column 8—9 Cantering 131—133 Cartoon four-legged walks 123—124 Cats 128—129 Catwalk model walk 113—114 Caudal fin 142 Cel 8 Centre of gravity 57 Characters: analysis 178 Characters: construction 47—77 Characters: design of basic human 53—58 Characters: groups 215—216 Characters: two characters 209—215 Children 211 Chinagraph pencils 46 close-ups 198 Closed body postures 164 168 Cloven feet 129 Colour for emphasis 216 Columns, x-sheets 4—9 Combative postures 168—169 Competitive stare 213 Complexity of characters 55 Concertina movement (snakes) 144 Condyloid joints 52—53 Consequence 161 Consonants 225 228 231 236 Construction process 30 122—125 Contempt 193 Cool walk 112—113 Correct four-legged animal construction 124—125 Couples’ behaviour 212 Crossed arms 171—172 Crossed legs 172—173 Crossover key positions 108 115 126 Crotaline movement (snakes) 144 Cruisers (fish) 141 CURVES 24 73 Daily life observations 80 Deceit gestures 197 Defiant postures 169 Depressed mood 111 163—4 168 Determined walk 112 Dialogue 223—4 226—7 DigiCel Flipbook program 10 19 20 21 DigiCel Flipbook program, bowling ball animation 37 40 DigiCel Flipbook program, dialogue 223 224 Disgust 193 Dishonesty 170 Displeasure 172 Distress 194 Dive exercise 96—103 Dogs 126—128 133—138 Dorsal fins 143 Double bounce walk 113 Double takes 84 Doubles see Two characters Drag (fish) 140 Drawing skills 25—27 Dreamy walk 113 Drops of liquid 34—35 Eagerness 166 170 Early animation 232 Ears 90 Eight basic emotions 186 Elbows 110 Elephants 130 Emotions 162 185—187 Emphasis points in dialogue 226 Environment 29—30 Equipment 3—11 Erratic pose-to-pose movement 227 Evaluation gestures 197 Exercises: animation of acting 178—182 Exercises: bird flying on the spot 154 156—158 Exercises: bird flying through the air 155 158 Exercises: bird model 155—156 Exercises: bouncy ball 19—24 36 Exercises: dive 96—103 Exercises: dog walk cycle 133—138 Exercises: double acting 216—221 Exercises: facial expression 202—208 Exercises: fish 145—149 Exercises: lift 60—68 Exercises: lip-sync 232—236 Exercises: pull 74—77 Exercises: push 68—74 Exercises: snake 149—150 Exercises: string and stick 94—96 Exercises: walk or run cycle 117 Expressions see Facial expressions External influences on walking 114 Extreme close-ups 198 Eyebrows 204 205 Eyelash fluttering 188—189 eyes 187—189 212—213 Facial expressions 184—208 Facial expressions, anger 192—193 Facial expressions, animation acting 198—202 Facial expressions, bones method 204 Facial expressions, boredom 194 Facial expressions, combinations 195 Facial expressions, disgust/contempt 193 Facial expressions, exercises 202—208 Facial expressions, extreme close-ups 198 Facial expressions, eyes 187—189 Facial expressions, fear 192 Facial expressions, hand-to-face gestures 196—198 Facial expressions, happiness 189 Facial expressions, head angle 195 196 Facial expressions, interest 193—194 Facial expressions, pain 194 Facial expressions, sadness 190—191 Facial expressions, surprise 191—192 False expressions 186—187 190 191 192 194 familiarity 210—213 Fear 192 Feet 125 129—130 Field-guides 9 Finger pointing 93 169 Fins 142—143 146 First dates 212 FISH 139—143 145—149 Flat feet 130 Flatfish 142 Flicking 13 14—17 flipping 13—14 flying 151—158 Focus emphasis 216 Follow-through: animate objects 89—92 Follow-through: ears 90 Follow-through: hair 90 Follow-through: inanimate objects 88—89 Follow-through: limbs 91—92 force 30 Forward body postures 164 165—166 168 Four-legged animals: cats 128—129 Four-legged animals: construction 122—124 Four-legged animals: dogs 126—128 133—138 Four-legged animals: elephants 130 Four-legged animals: horses 122—123 129—130 131—132 Frame numbers column 6—8 frames per second 2 Frameslider 23 Fugitive postures 167—168 Full animation acting 176—177 Function Curves 24 Gallops 132—133 gestures 169—173 196—198 Graphic nature of characters 55—56 Gravity 56—57 Groups of characters 215—216 Hair 90 93 Hand gestures 170—171 Hand-to-face gestures 196—198 Handholding 212 Happiness 112 189—190 Head angle 196 Head movement 93 headphones 216—219 hierarchies 44—45 Hinge joints 52 Hips 107 126 127 Hooves 129—130 Horses 122—123 129—130 131—132 How this book works 19 Human anatomy 48—53 Hummingbirds 153—154 In-betweens 63—65 71—72 74 76 175 Inanimate objects 28—46 Inanimate objects (contd), ping-pong ball 43 Inanimate objects (contd), soccer balls 32 40—42 Inanimate objects (contd), water-filled balloons 33—34 43—44 Inanimate objects, balloons 32—34 43—44 Inanimate objects, beach ball 42 Inanimate objects, bouncy ball 19—24 36—40 44—46 Inanimate objects, bowling ball 31—32 37—40 Inanimate objects, definition 29—30 Inanimate objects, follow-through 88—89 Inanimate objects, liquids 34—36 Insects 153—154 Interest 193—194 Jaw movement 225 Joints 51—53 Jumping 81 83 93 Key positions: bouncy ball 45—46 Key positions: bowling ball animation 38 Key positions: dive 97—99 100—102 Key positions: dog walk 126 Key positions: facial expressions 199 Key positions: fish swimming 147 Key positions: flying birds 152 Key positions: good timing 79 Key positions: human running 115 Key positions: lift 61—63 67 Key positions: pantomime horse 122 Key positions: pull 75—76 Key positions: push 68—71 73 Key positions: scene animations 174—175 Key positions: string and stick 95—96 Key-to-key animation 11—12 Large groups of characters 215—216 Left-hand side of brain 59 legs 125 172—173 Levels column 8 Life drawing 26 Lift 60—68 Light boxes 4 Lighting emphasis 216 LightWave 208 220—201 Limbs 91—92 104—120 125 171—173 Limited animation 175—176 Line testers 9—10 18—19 55 Line thickness 198 Lip laziness 225 Lip-sync 222—236 Lip-sync, acting with dialogue 226—227 Lip-sync, exercises 232—236 Lip-sync, how we speak 224—225 Lip-sync, mouth shapes 228—232 Liquids 33—36 43—44 listening 166 169 171 214 Looking at each other 212—213 Love, eyes 212—213 Lying 163 186 197
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