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Shaw J. — John Shaw's closeups in nature
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Íàçâàíèå: John Shaw's closeups in nature
Àâòîð: Shaw J.
Àííîòàöèÿ: There's more than one way to shoot a frog, as Shaw demonstrates in this splendid book, a thorough course in practical field techniques for closeup photography using a 35mm single-lens reflex camera. Although hobbyists who want to capture the flowers in their garden can glean ideas for composition or the best time of day to photograph, this detailed work is intended primarily for the serious amateur or professional. Success in closeup photography, Shaw maintains, depends on control, and he advocates meticulous experimenting and testing of equipment and supplies before one attempts to photograph in the quickly changing, unpredictable conditions of the field. Shaw (The Nature Photographer's Complete Guide to Professional Field Techniques) is an excellent teacher, establishing a common vocabulary with the reader, presenting lavishly illustrated new material that builds on previous knowledge, repeating important concepts and techniques for emphasis. He believes that technical competence frees the photographer to concentrate on esthetics, and his inspiring pictures are beautiful artworkfields of flowers that evoke impressionist paintings, delicate dogwood blossoms reminiscent of Oriental designs, rare glimpses of snowflakes or raindrops on a yew needle. Photography Book Club main selection.
ßçûê:
Ðóáðèêà: Òåõíîëîãèÿ /
Ñòàòóñ ïðåäìåòíîãî óêàçàòåëÿ: Ãîòîâ óêàçàòåëü ñ íîìåðàìè ñòðàíèö
ed2k: ed2k stats
Ãîä èçäàíèÿ: 1987
Êîëè÷åñòâî ñòðàíèö: 142
Äîáàâëåíà â êàòàëîã: 22.10.2005
Îïåðàöèè: Ïîëîæèòü íà ïîëêó |
Ñêîïèðîâàòü ññûëêó äëÿ ôîðóìà | Ñêîïèðîâàòü ID
Ïðåäìåòíûé óêàçàòåëü
105mm lens 65
200mm lens 66—67
200mm lens, macro 74—75
24mm lens 61
300mm lens 68—69 70
300mm lens, macro 74
35mm SLR 30
400mm lens 69 70
50mm lens 63 104
Aerial-image screen 31
Angle of view, and focal length 31 50
Aperture 16 17—18 32 43
Aquarium, micro 133 135 137
Area-Swiss Monoball 34
Background and electronic flash 83 84—85 87 94
Background and focal length 50—51
Background for micro aquarium 133
Background, controlling natural light 52 53
Bellows, articulating 13840
Bellows, extension with 59—60
Bogen tripod 34 72
Butterfly bracket 91—92 108
Cable release 59
Camera positioning 49
Camera with TTL meters 20 22 24 76 77
Camera with TTL meters, flash 86 89 98—99 108—109 117 120 127 128—129
Camera, handheld 33
Camera, handheld, with flash 86—87
Camera, rain cover for 73
Camera, selection criteria for 30—31
Camera, shutter speed on 16—17 18 30
Canon, macro lens 75
Canon, perspective control (PC) lens 140
Canon, viewfinder screen 31
Closeup lens see Diopters
Color compensating (CC) filters 39
Combination techniques 119—121
composition 33 54—55
Contrast range, compressing 52—53
Depth of field, and Scheimpflug principal 138—139
Depth of field, aperture setting and 17 32 49
Depth of field, focal length and 32
Depth of field, preview 30 83
Diaphragm automation 124
Diffraction, and f-stops 141—142
Diffuser 53
Diopters and flash 108—109
Diopters and focal length 103
Diopters and working distance 1034
Diopters in combination techniques 120—121
Diopters, magnification with 104 112
Diopters, multi-element 104 105 120 121
Diopters, pros and cons of 102—103 104
Diopters, strengths 102 103
Diopters, zoom with 105—107
Document copy work 74
Ektachrome 18 40
Electronic flash for zooms with diopters 108—109
Electronic flash in combination techniques 120—121
Electronic flash in micro-aquarium shot 135
Electronic flash with stacked lenses 117—118
Electronic flash, background with 84—85
Electronic flash, bracket-mounted 91—93
Electronic flash, exposure, inverse-square 86 95—97 117—118 128
Electronic flash, exposure, manual 80—81 83 108
Electronic flash, exposure, TTL 86 89 98—99 108—109 117 120 127 128—129
Electronic flash, handheld 86—87
Electronic flash, positioning 93—94
Electronic flash, ring light 89
Electronic flash, size of unit 88—89
Electronic flash, theory 80
Electronic flash, through plastic bowl tent 128—29
Enlarging lens 116 139—140
Equipment see also Specific type
Equipment, combination techniques with 119—121
Equipment, testing 44
Exposure meter with electronic flash see Electronic flash exposure
Exposure meter, calibrating 22
Exposure with stacked lenses 116
Exposure, estimated 20 22
Exposure, importance of control 16
Exposure, proper 27
Exposure, reading 24—27
Exposure, reading, hand meter 76—77
Exposure, reading, in low light 4243
Exposure, testing 44—45 80—81 96
Exposure, theory 16—18
Extension and inverse-square exposure 95—97
Extension in combination techniques 119—121
Extension on long lens 130—32
Extension on zoom lens 71—72
Extension, bellows 59—60
Extension, diffraction problems with 141—142
Extension, hand meter for 76—77
Extension, total amount 58
Extension, tubes 59—60 69 71 73 76 130
F-stop 141
f-stops 16 17—18 32 74 109 111 141—142
Film, -image size 12—15
Film, color slide 27
Film, comparisons 44
Film, reciprocity failure data for 43
Film, selection criteria for 4041
Film, sensitivity 16
Film, speed ratings (ISO numbers) 18
Filter adapter rings 114
Filters 38—39 76
Flash see Electronic flash
Flat-field reproduction, macro lens in 74
Focusing mount 58 86
Focusing rail 36—37 59 60
Focusing screen 30—31
Framing subject 54
Fresnel screen 31
Fujichrome 18 41 83 87 96
Gelatin filters 39
Gitzo tripod 34
Gray card 24—25
Guide Numbers (GN) 80—81 83
Hand meter 76—77
Horizontal format 54
Hot Spot 53
Image size, and focal length 31—32
Incident-light meter 76 77
Internal focusing (IF) lens 69—70 74
Inverse-square flash 86 95—97 117—118 128
ISO numbers 18
Kiron short lens 62
Kodachrome 18 23 40 41 43 83 86 96
Leitz macro lens 126
Lens(es) see also Macro lens Zoom
Lens(es) and magnification range 15
Lens(es) with electronic flash 85
Lens(es), aperture setting of 16 17—18
Lens(es), auto-diaphragm 124
Lens(es), combination techniques with 119—121
Lens(es), effects of focal length 31—32
Lens(es), effects of focal length, on background 50—51
Lens(es), enlarging 116 139—140
Lens(es), extension on see Extension
Lens(es), focusing mount 58
Lens(es), long 50 59
Lens(es), long, 200mm 66—67
Lens(es), long, 300-400mm 68—69 70 130—132
Lens(es), long, internal focusing (IF) 69—70
Lens(es), long, Nikon 300mm ED-IE 130—132
Lens(es), long, with multipliers 110—111
Lens(es), normal 63 124
Lens(es), reversing 115 116 124—125
Lens(es), reversing, movie camera lens 126—127
Lens(es), shade 39 124
Lens(es), short 59 61—62
Lens(es), short, telephoto 64—65
Lens(es), short, with diopters 104
Lens(es), short-mount 116 126 139—140
Lens(es), stacked 112—118 126
Lens(es), supplementary see Diopters
Lens(es), symmetrical 141
Life-size, photographing at 12 15
Light see Electronic flash Natural
Macro lens 15 110 115
Macro lens in combination techniques 120—21
Macro lens, 200mm 74—75
Macro lens, benefits of 74
Macro lens, drawbacks of 126
Macro lens, extension on 73—74
Macro lens, manufacturers of 126
Macro lens, symmetrical 76 141
Magnification rate 12—15 58
Meter see Exposure meter
Middletoned subject 20—23 24 25 27
Minolta, bellows 139
Minolta, focusing rail 36
Minolta, short-mount lens 116 140
Mirror lock 30
Movie camera lens, for high magnifications 126—127
Multipliers (teleconverters) 110—111 116 120—121 140
Natural light, accessories for controlling 52 53
Natural light, estimating 20 22
Natural light, overcast (low-contrast) 38 42 52—53
Nikon, bellows 139 140
Nikon, diopters 104 105
Nikon, extension tubes 59 60 66 130
Nikon, flash unit 88 89
Nikon, long lens 70
Nikon, long lens, 300mm ED-1F 130—132
Nikon, macro lens (Nikkor Micro) 73 74—75 126
Nikon, short lens 61 62
Nikon, short mount lens 116 140
Nikon, viewfinder screen 31
Novoflex, focusing rail 36
Novoflex, short-mount lens 116 140
Off-the-film (OTF) flash metering 98
Olympus viewfinder screen 31
Opening up 17—18
Overcast days 38 42 52—53
Overexposure 27
Pentax, focusing rail 36
Pentax, short-mount lens 116 140
Pentax, viewfinder screen 31
Perspective control (PC) lens 140
Pupillary Magnification Factor (PMF) 141
Rack-and-pinion rail 36
Reciprocity 18
Reciprocity, failure 43
reflectors 53 89
Ring light 89
Scheimpflug principal 138—139
Shadows, controlling 93
shutter speed 16—17 18 30 87
Skylight filters 39
Slik tripod 34
Snowflake closeup 125
Spiratone, bellows 139
Spiratone, short-mount lens 116
Stacked lens 112—116 126
Stacked lens with electronic flash 117—118
Stacked lens with electronic flash and multiplier 121
Stopping down 17
Stops 16 18 80 81 83 84
Subjects in water habitat 133—137
Subjects, animate 86—87 91
Subjects, defining 54
Subjects, framing 54
Subjects, isolating 50—51
Subjects, magnification rate 12—15
Subjects, middletoned 20—23 24 25 27
Subjects, paralleling 49
Subjects, placement of 55
Subjects, snowflake 125
Subjects, working distance from 32 130
Sunny ff16 rule 20 22
Sunpak flash unit 88
Synchronization (sync) speed 87
Teleconverters (Multipliers) 110—111 116 120—121 140
Telephoto lens 115
Telephoto lens, short 64—65
Test shots 44—45 80—81
Through-the-lens (TTL) metering 20 22 24 76 77
Through-the-lens (TTL) metering, flash 86 89 98—99 108—109 117 120 127 128—129
Tripod(s) as compositional aid 33 54 55
Tripod(s) in cold weather 17
Tripod(s) with quick-release plate 72
Tripod(s), centerpost 33
Tripod(s), collar 60
Tripod(s), head 33—34 72
Tripod(s), height 66
Tripod(s), legs 32 34
Tripod(s), mounting extension on 58
Tripod(s), recommended 34
Umbrella 53
Underexposure 27 43
UV filters 39
Vertical format 54
Viewfinder screen 30—31
Vignetting 115 116
Vivitar flash unit 88—89
Well slide 134 135 137
Working distance and focal length 32
Working distance and “fear circle,” 130
Working distance with closeup lens 103—104
Zeiss macro lens 126
Zoom lens 115
Zoom lens with diopters 105—107
Zoom lens with diopters and flash 108—109
Zoom lens, 200mm 66
Zoom lens, extension on 71—72
Zoom lens, short 62
“Rule of thirds,” 55
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