Iam grateful for the many people who have made this book possible, and for those who have helped make the research and writing experi- ence a treasured journey.
My deepest gratitude goes to my mentor Richard Strassberg, for his intellectual guidance and unflagging support through these years. It was he who inspired my interest in Chinese narrative and drama, as well as in Manchu literature. After starting my own academic career, I have con- tinued to benefit from his professional knowledge, advice, and diverse interests in Chinese literature and arts. I am indebted to David Schaberg and Shu-mei Shih whose comments and insights have pushed me to re- think important issues. I am grateful to Helen Rees who has provided significant help to both my transnotation of a gongche score and my un- derstanding of traditional Chinese drum songs.